The accompanying book, in Serbian and English,contains statements by composers themselves, written specifically for this anthology, as well as their official biographies and editorial notes about certain works recorded on this triple album. The composers speak very vividly about their music and their relations with the piano, thus sketchinga more intimate chronicle of contemporary piano music. Aside from these diverse statements by the composers themselves, the essays about Nada Kolundžija’s pianism and her Anthology were written by Croatian musicologist Nikša Gligo, Serbian aesthetician MiškoŠuvaković, and Serbian musicologists Zorica Premate, Ana Kotevska, and Ivana Miladinović Prica.